— The Shard, London Bridge Tower, London, 2000-2012 (Ph. William Matthews)
— Renzo and Matteo Piano
Both in their independent projects and the four-handed ones, one can recognize the language born from laboratory experimentation, research into production processes and materials, attention to detail and functionality.
— The Art Institute of Chicago, The Modern Wing, Chicago, 2000-2009 (Ph. Nic Lehoux)
— Istanbul Modern, Istanbul, 2016-2023 (Ph. Enrico Cano)
— Renzo Piano Building Workshop, Punta Nave Office, Genoa, 1986-1991 (Ph. Shunji Ishida)
Whether it is furniture or even simply a handle, the shape, while speaking the clear and confident language of function, is capable of adapting to any context, because the design composition stems from a special sensitivity towards the spaces of Architecture.
— Jérôme Seydoux, Pathé Foundation, Paris, 2006-2014 (Ph. Michel Denancé)
— The Whitney Museum of American Art at Gansevoort, New York, 2007-2015 (Ph. Nic Lehoux)