LOGO L, 2006
How to design a handle for a firm of such stature? I started making sketches, but kept them to myself. In the beginning, they were strange ideas, and looking at them, I wondered if I really wanted to produce a handle like that. To tell the truth, no. Maybe the handle does not always have to play the leading role. Maybe it can be understated.
MATERIALBrass
TYPOLOGYRound
LOGO L, 2006
Yes, just a handle – not a flower, a spacecraft or an engine component. The simpler I drew it, the more I liked it. Then I had the idea to puff it up a little, to make it more like a comic strip.
— Vroom Vroom, tappeto, Imagomundi 2007
— James Irvine
When Mr Olivari asked me, “What do we call it?” I said that it reminded me of the Olivari logo. Antonio said, “Then Logo it is!” — James Irvine
— Centanni sgabello, Discipline 2012
— Open Chair sedia, Alias 2007
James designed the model Logo in 2006. An iconic product that in its simplicity represents what I call the “Irvine Method”; a universal method made of passion for details, functionality and irony. Reproportioning his design with respect to the new rosette was natural for me: an ethical gesture that looks at the product as a universal object, timeless and unfashionable, just like Olivari’s DNA. — Marialaura Rossiello Irvine
— Marialaura Rossiello Irvine
— Dustpan and broom, Muji 2022
— Juno 02, recycled plastic chair, Arper 2022